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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
- 460 cm × 880 cm (181 in × 346 in)
- Leonardo da Vinci
- c. 1495–1498
19 de abr. de 2024 · Last Supper, one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1495 and 1498. It was commissioned by Ludovico Sforza for the Dominican monastery Santa Maria delle Grazie in Milan. Learn more about the painting’s history, subject, technique, and restoration.
The Last Supper of Leonardo da Vinci (Cenacolo Vinciano) is one of the most famous paintings in the world. This artwork was painted between 1494 and 1498 under the government of Ludovico il Moro and represents the last "dinner" between Jesus and his disciples.
- Piazza Santa Maria delle Grazie 2, Milano
- Cenacolo Vinciano Milano
10 de sept. de 2021 · The Last Supper painting by Leonardo da Vinci is one of the most artistically astute paintings created, not only of the 15 th century but in the present day too – it is truly timeless. Below, we discuss some of the painting’s historical context and the detailed techniques used to create it.
- ( Head of Content, Editor, Art Writer )
- c. 1495 to 1498
- Leonardo da Vinci
- Religious History Painting
The Last Supper (a Passover Seder) is remembered for two events: Christ says to his apostles, “One of you will betray me,” and the apostles react, each according to his own personality. Referring to the Gospels, Leonardo depicts Philip asking, “Lord, is it I?”
Leonardo’s Last Supper (1495–98) is among the most famous paintings in the world. In its monumental simplicity, the composition of the scene is masterful; the power of its effect comes from the striking contrast in the attitudes of the 12 disciples as counterposed to Christ.
6 de dic. de 2023 · by Dr. Steven Zucker and Dr. Beth Harris. Leonardo da Vinci, Last Supper, oil, tempera, fresco, 1495–98 (Santa Maria delle Grazie, Milan) Leonardo imagined, and has succeeded in expressing, the desire that has entered the minds of the apostles to know who is betraying their Master.