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  1. "The Look of Love" is a popular song composed by Burt Bacharach and Hal David and originally popularized by English pop singer Dusty Springfield. The song is notable for its sensuality and its relaxed bossa nova rhythm. The song was featured in an extended slow-motion interlude to the 1967 spoof James Bond film Casino Royale.

    • "Give Me Time (L'Amore Se Ne Va)"
    • January 29, 1967
    • 4:11
  2. "The Look of Love" is a song by English pop band ABC, released in 1982 as the third single from their debut studio album, The Lexicon of Love (1982). It was the band's highest-charting hit in the UK, peaking at No. 4 on the UK Singles Chart.

    • "The Look of Love (Part Two)", "Theme from Mantrap" (US)
    • 7 May 1982 / August, 1982 (US)
    • 3:26
  3. lyrics. Songfacts®: You need to read beyond the title on this one - it's not a chirpy love song, but about how to deal with it when love goes away. ABC lead singer Martin Fry told Uncut that this song is "genuinely about the moment you get your teeth kicked in by somebody you love f--king off.

  4. 18 de sept. de 2023 · Released by Verve on September 18, 2001, The Look Of Love – a sumptuous collection of languorous, string-laden ballads and sultry bossa novas – found Krall, then 36, reuniting with...

    • Charles Waring
  5. "The Look of Love" is a popular song composed by Burt Bacharach and Hal David and originally popularized by English pop singer Dusty Springfield. The song is notable for its sensuality and its relaxed bossa nova rhythm. The song was featured in an extended slow-motion interlude to the 1967 spoof James Bond film Casino Royale.

  6. 17 de sept. de 2023 · The song “The Look of Love” is a popular and timeless classic written by Burt Bacharach and Hal David, which was first recorded and released by Dionne Warwick in the year 1967. This enchanting composition beautifully captures the essence of love and its mesmerizing impact on our lives.

  7. In an era of post-punk synth-poppers, the Sheffield group — guided by high-concept producer Trevor Horn — managed to create a widescreen sound that blended Nile Rodgers’ and Bernard Edwards’ immaculate productions for Chic with Nelson Riddle’s dramatic orchestrations for Frank Sinatra.