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19 de oct. de 2020 · 10 Best Lucio Fulci Horror Films. These are the finest fright flicks from the Italian Godfather of Gore that helped earn him the title Master of Horror. By Jacob Trussell · Published on...
24 titles. 1. A Lizard in a Woman's Skin (1971) Not Rated | 95 min | Mystery, Thriller. 6.8. Rate. The potentially unhinged daughter of a British politician is accused of killing her hedonistic neighbor after she witnesses the murder in a dream. Director: Lucio Fulci | Stars: Florinda Bolkan, Stanley Baker, Jean Sorel, Silvia Monti. Votes: 5,777.
25 titles. 1. Zombie (1979) R | 91 min | Horror. 6.8. Rate. 54 Metascore. Strangers searching for a young woman's missing father arrive at a tropical island where a doctor desperately seeks the cause and cure of a recent epidemic of the undead. Director: Lucio Fulci | Stars: Tisa Farrow, Ian McCulloch, Richard Johnson, Al Cliver. Votes: 30,717.
1. A Lizard in a Woman's Skin (1971) Not Rated | 95 min | Mystery, Thriller. 6.8. Rate. The potentially unhinged daughter of a British politician is accused of killing her hedonistic neighbor after she witnesses the murder in a dream. Director: Lucio Fulci | Stars: Florinda Bolkan, Stanley Baker, Jean Sorel, Silvia Monti. Votes: 5,493. 2.
- 10 A Cat in The Brain (1990) Is A Surreal Collage of Gore
- 9 The Black Cat (1981) Features A Killer Cat with A Psychic Bond
- 8 City of The Living Dead (1980) Opens The Gates of Hell
- 7 The House by The Cemetery
- 6 A Lizard in A Woman's Skin (1971) Was A Psychedelic Giallo
- 5 Don't Torture A Duckling (1972) Is A Brutal, Unsentimental Maze
- 4 The New York Ripper (1982) Is A Hyperrealistic Slasher Movie
- 3 The Beyond (1981) Is Fulci's Horror Epic
- 2 Seven Notes in Black (1977) Stuns Viewers with An Ingenious Script
- 1 Zombi 2 (1979) Is An Unparalleled Undead Masterpiece
A Cat in the Brain is the best of Fulci's late-period horror. The film is a blood-soaked quilt of scenes and effects shots from other projects, unified by a psychological narrative starring the director. Despite the patchwork nature of the movie, the story is more coherent and entertaining than Fulci's late 80s output. A Cat in the Brain bears simi...
Released in Italy two months before The Beyond, The Black Cat is one of several horror movies inspired by the Edgar Allan Poe story. The film stars character actor Patrick Magee (A Clockwork Orange, Chariots of Fire) as a spiritual medium and reluctant owner of a murderous cat. Mimsy Farmer (Four Flies on Grey Velvet) is a photographer who unwittin...
City of the Living Deadis among Fulci's most technically accomplished horror efforts, with smooth camera movement and transitions between scenes, realistic effects, a captivating story, and an excellent female lead, Catriona MacColl. The famous centerpiece of the film is the stomach-churning death of Daniela Doria's character. She falls under the s...
The third film in Fulci's Gates of Hell trilogy, The House by the Cemetery, might be easy to overlook. It lacks the more global apocalyptic action of City of the Living Dead and The Beyond, but the film benefits from a more focused setting. The house exudes a classic Gothic atmosphere with its misty, isolated location and decrepit tombstones and cr...
Fulci was known for crafting commercially successful comedies and cowboy movies early in his career. With the explosion of the giallo genre in the late 1960s, Fulci expanded his repertoire to include stylish, gory thrillers. A Lizard in a Woman's Skin followed the trend of animal-themed titles, and to be clear, the killer was not a literal lizard. ...
Don't Torture a Duckling, a dizzying maze of sadism and misdirection, is a brutal thriller with an animal title that has little to do with the movie. One suspect in a heinous child murder becomes an unexpected protagonist later in the film, and another suspect becomes a victim herself. The audience is never sure of whom to trust or empathize with, ...
The New York Ripper is Lucio Fulci's last great horror movie. The film is, at first glance, a vulgar slasher movie, an unhealthy mix of female nudity and graphic violence, as seen in films like Torso and The Prowler. But The New York Ripperis different and more challenging. The film is simultaneously a bleak document of early 80s urban life and an ...
The high point of the Gates of Hell trilogy, The Beyond, is apocalyptic in scope and boasts the most startling ending to any Fulci horror film. Catriona MacColl's heroine plans to refurbish a dilapidated New Orleans hotel without knowing that a secret passage in the basement leads directly to hell. Continuing the mayhem of The City of the Living De...
Seven Notes in Black, the literal translation of the Italian title, was also released as Murder to the Tune of the Seven Black Notes or the more common U.S. name, The Psychic. Both a giallo film and a Gothic horror tale, Seven Notes in Black represents Lucio Fulci at the height of his filmmaking and storytelling powers. The director co-wrote the mo...
Zombi 2, released as the sequel to George Romero's Dawn of the Dead, aka Zombi, in Italy, is the preeminent Italian zombie film. Known internationally as Zombie or Zombie Flesh Eaters, the movie was crucial to Lucio Fulci's development as a filmmaker. It signaled his transition from commercial movie craftsman to legendary gore auteur. Nuanced perfo...
1 de oct. de 2017 · Posted on October 1, 2017 by James Paton. The Italian maestro Lucio Fulci is a well-regarded creative tour de force by horror fans, and whilst his rather extensive oeuvre takes in all manner of genres, he is still oft overlooked by the mainstream, leaving him as, arguably, one of the most underrated director’s in the history of the ...
16 de jun. de 2022 · 4 The House by the Cemetery (1981) Medusa Distribuzione. Almost as if crossing off names on a checklist, Fulci continued his horror exploration through a haunted house caper in The House by the...
