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Hace 2 días · Mary Cassatt, After the Bath, 1901, pastel, 26 x 39 3/8 in (66 x 100 cm), Cleveland Museum of Art, Cleveland, Ohio, USA – detail – lower right – green roughly introduced. Although much care is given to the heads, the same isn’t true of much of the rest of the painting. Have a look at the lines and colours in this detail.
29 de abr. de 2024 · Mary Cassatt, Woman in a Loge, 1878–79. Photo : Collection of the Philadelphia Museum of Art. By 1874—the year of the first Impressionist exhibition—Cassatt was back in Paris, accompanied by ...
16 de abr. de 2024 · Mary Cassatt, The Sun Bath, with Three Figures, 1899 Mary Cassatt’s work seems more relevant than ever. The painter embodies a contemporary fight through her evocative and unique portrayals of domesticity and her unwavering commitment to feminist ideals.
Hace 5 días · Cassatt's paintings often focused on the intimate moments of women and children in domestic settings, capturing their emotions with soft pastel colors and fluid brushwork. She was one of the few female artists of her time to achieve critical and commercial success, and she exhibited alongside renowned Impressionist artists such as Edgar Degas and Claude Monet.
Hace 5 días · Mary Cassatt, ‘The Child’s Bath (The Bath),’ 1893. Oil on canvas, 39 in. × 26 in. Art Institute of Chicago via Wikimedia Commons. A revolt against the overly polished, some would say inert mythological and historical paintings of the French Academy was underway.
22 de abr. de 2024 · From the delicate brushstrokes of “The Child’s Bath” to the tranquil beauty of “Luncheon in the Garden,” Cassatt’s work remains as relevant and captivating as ever, reminding us of the power of art to transcend time and touch the soul. To summarize, Mary Cassatt’s contributions to the world of art are nothing short of ...
Hace 5 días · Mary Cassatt (1844–1926), American-born, she lived in Paris and participated in four Impressionist exhibitions; Paul Cézanne (1839–1906), although he later broke away from the Impressionists; Edgar Degas (1834–1917), who despised the term Impressionist; Armand Guillaumin (1841–1927)
