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Musique concrète (French: [myzik kɔ̃kʁɛt]; lit. ' concrete music ') is a type of music composition that utilizes recorded sounds as raw material. Sounds are often modified through the application of audio signal processing and tape music techniques, and may be assembled into a form of sound collage.
- Música concreta
La música concreta es un género musical cuyos fundamentos...
- Música concreta
Musique concrète (französisch für „konkrete Musik“) ist eine Kompositionstechnik, bei der mit aufgenommenen und auf Tonträgern gespeicherten Klängen komponiert wird. Diese Aufnahmen können sowohl eingespielte Instrumente als auch Alltagsgeräusche enthalten.
Aleatorische muziek. (vanaf 1963) Minimalistische muziek. (vanaf 1970) Eigentijdse klassieke muziek. (1975 - nu) Musique concrète is een Franse muziekstroming waarbij gebruik wordt gemaakt van alledaagse geluiden die met behulp van elektronica worden verwerkt tot composities en geluidscollages.
- (vanaf 1913)
- (tot 1900)
- (vanaf 1920)
- (vanaf 1915)
Pierre Henri Marie Schaeffer ( English pronunciation: / piːˈɛər ˈhɛnriː məˈriː ˈʃeɪfər / ⓘ, French pronunciation: [ʃɛfɛʁ]; 14 August 1910 – 19 August 1995) [1] was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète ( GRMC ).
- 1942–1990
- 19 August 1995 (aged 85), Aix-en-Provence, Bouches-du-Rhône, France
In Search of a Concrete Music [1] (French: À la recherche d'une musique concrète ), written and published in 1952, is a French language publication which forms a major part of the experimental composer and theoretician Pierre Schaeffer 's collection of works written to record his own undertakings on the development of musique ...
Da uno scritto di Pierre Schaeffer del 1966 ) La musica concreta (dal francese musique concrète) è un'espressione musicale correlata alla musica contemporanea che ebbe origine dalle esperienze del compositore francese Pierre Schaeffer che la ideò nel 1948 . Basata sui suoni preesistenti, la musica concreta inaugurò uno dei primi modelli di manipolazione del suono per fini compositivi e fu ...
