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No Exit (French: Huis clos, pronounced [ɥi klo]) is a 1944 existentialist French play by Jean-Paul Sartre. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room.
- Jean-Paul Sartre
- 1944
Overview. No Exit is a play by French existentialist philosopher and author Jean-Paul Sartre that was first performed in Paris in May 1944, just prior to the liberation of the city from German occupation in World War II.
7 de ago. de 2020 · No Exit, as an intense and compressed dramatic parable, presents the core existential truth that each individual must ultimately face self-truth and consequence, forced to an inescapable encounter with others who provide the measure for moral judgment.
No Exit by Jean Paul Sartre. Although many nineteenth century philosophers developed the concepts of existentialism, it was the French writer Jean Paul Sartre who popularized it. His one act play, Huis Clos or No Exit, first produced in Paris in May, 19944, is the clearest example and metaphor for this philosophy.
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No Exit, one-act philosophical drama by Jean-Paul Sartre, performed in 1944 and published in 1945. Its original, French title, Huis clos, is sometimes also translated as In Camera or Dead End. The play proposes that “hell is other people” rather than a state created by God.
- The Editors of Encyclopaedia Britannica
No Exit is a theatrical representation of Sartre’s philosophical ideas regarding Existentialism, about which he wrote quite a lot. In particular, the play demonstrates his theories about subjectivity and the human “gaze,” which he outlines in his book-length essay Being and Nothingness.
Using only three people and an empty room, Sartre evokes scenes of utter torture and despair. In effect, Inez can't stand Garcin looking at her because she thinks that he is automatically judging her.
