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8 de may. de 2017 · Particularly, Rococo sensibilities became clearly exemplified through the sensual modeling of Clodion’s Intoxication of Wine (also referred to as Satyr and Nymph Carousing) (2) in terracotta sometime between 1780 and 1790 (3). Clodion’s choice of subject matter, material, and modal audience paralleled the various aesthetic trends ...
While the Columbia sculptures also feature raised arms, the lifting energy is counteracted by the heaviness of some of the masses. Based on all these observations, the current attribution of Nymph and Two Satyrs and Satyr and Two Nymphs to Clodion requires a revision. In Context: Variations and Reattribution
The Intoxication of Wine. Clodion (Claude Michel) French. ca. 1780–90. On view at The Met Fifth Avenue in Gallery 552. Clodion, whose career spanned the last decades of the ancien régime through the French Revolution and Napoleon's reign, embraced his era's taste for antiquity.
Date created: 1764. Location created: Rome. Physical Dimensions: H. 23 x W. 40 x D. 24.9 cm. Medium: Terracotta. Clodion, who was brought up within a family of artists, studied at the École des...
- Claude Michel
Clodion (Claude Michel); Nymph and Satyr Carousing; 18th century (ca. 1780-90); The Metropolitan Museum of Art
Nymph and Satyr carousing, or The Intoxication of Wine. c. 1780-1790. terracotta. group. Dimensions (HxWxD): 23 x 16 7 ⁄ 8 x 11 1 ⁄ 4 in. signed on base behind figures: Clodion. Acc. No.: 14.40.687. Credit Line: Bequest of Benjamin Altman, 1913. Photo credit: www.metmuseum.org, July 29, 2011. © Artist : public domain.
