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30 de abr. de 2024 · Opera seria was the form of Italian serious opera that held sway from the reforms of the early 18th century for a hundred years. It came to be governed by strict rules as to subject and structure, and underwent reform in the interests of greater realism in the second half of the 18th century with the composer Gluck.
Hace 2 días · The English word opera is an abbreviation of the Italian phrase opera in musica (“work in music”). It denotes a theatrical work consisting of a dramatic text, or libretto (“booklet”), that has been set to music and staged with scenery, costumes, and movement.
Hace 6 días · Gioachino [n 1] Antonio Rossini [n 2] (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in ...
Hace 2 días · Claudio Giovanni Antonio Monteverdi [n 1] (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history.
Hace 3 días · Il compose alors un opéra qui s’éloignera du très codifié opera seria pour développer un genre plus national : le Singspiel, comédie en musique qui sera son premier opéra en langue allemande. L’opéra est créé un mois après la fin de sa composition, en juillet 1782, sous la direction du compositeur.
8 de may. de 2024 · What You'll Learn. In this breathtaking course, you'll get to know the music of two beautiful operas — both in their spellbindingartistry and colorful histories. First, you'll travel to London in 1724, where George Frideric Handel premiered his most famous opera, Giulio Cesare.
1 de may. de 2024 · La Clémence de Titus, opera seria composé par Mozart en même temps qu’il écrivait la Flûte Enchantée, n’est pas une œuvre facile à monter. Est-ce la raison pour laquelle la mise en scène de cette nouvelle production aixoise a choisi le parti de la simplicité ? Fuyant toute réinterprétation ou relecture contemporaine, McVicar propose une simple … MOZART, La clemenza di Tito ...
