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28 de dic. de 2016 · by Pauline Kael. Ridley Scott, the director of the futuristic thriller Blade Runner, sets up the action with a crawl announcing that the time is early in the twenty-first century, and that a blade runner is a police officer who “retires’’—i.e., kills—”replicants,” the powerful humanoids manufactured by genetic engineers ...
4 de jul. de 1982 · Pauline Kael reviews the sci-fi thriller “Blade Runner,” directed by Ridley Scott and starring Harrison Ford, and loosely based on Philip K. Dick’s novel “Do Androids Dream of Electric ...
- Pauline Kael
"Blade Runner: Baby, the Rain Must Fall"reviewed by Pauline KaelThe New Yorker, July 12, 1982
6 de oct. de 2017 · "Aquí estamos", escribía Pauline Kael en su crítica de 'Blade Runner' ( Ridley Scott, 1982). "Sólo cuarenta años en el futuro, dentro de una horrible barriada electrónica, y (la película)...
25 de jun. de 2020 · The dean of American film criticism, Pauline Kael, argued that “Scott seems to be trapped in his own alleyways, without a map.”
- Esquire
12 de oct. de 2017 · The set up for the original film was brilliantly articulated by critic, Pauline Kael in a 1982 New Yorker review.
14 de feb. de 2018 · For example, Pauline Kael described Blade Runner as a “sci-fi film.” “a thriller,” and a “film noir,” 4 and Harlan Kennedy labeled the film a mixture of “film noir fantasy and sci-fi fundamentalism.” 5 yet neither elaborated beyond the point of description.
