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Hace 12 horas · When New Yorker film critic Pauline Kael wrote a long and heated rave of Bernardo Bertolucci’s Last Tango in Paris after its premiere in 1972, she stated, among other things, that “this is a movie people will be arguing about for as long as there are movies.” Kael may have been overdoing it ...
Hace 12 horas · The morning after the 1972 election in which Richard Nixon defeated liberal Democrat George McGovern by 23 points, New Yorker film critic Pauline Kael wandered glumly around the magazine's ...
Hace 12 horas · De Palma’s version, made for between $25 million and $37 million (depending on who you ask), took in less than $5 million at the box office on opening weekend. It elicited some snarling reviews — The New Yorker’s Pauline Kael called it a “crude, ritualized melodrama” — and was assailed by charges of racial stereotyping.
Hace 12 horas · When New Yorker film critic Pauline Kael wrote a long and heated rave of Bernardo Bertolucci’s Last Tango in Paris after its premiere in 1972, she stated, among other things, that “this is a movie people will be arguing about for as long as there are movies.”
Hace 12 horas · New Yorker film eleştirmeni Pauline Kael, Bernardo Bertolucci’nin Paris’teki Son Tango’sunun 1972’deki galasından sonra uzun ve hararetli bir övgüsünü yazdığında, diğer şeylerin yanı sıra şunu belirtti: “Bu, insanların hakkında uzun süre tartışacağı bir film. çünkü filmler var.”
