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Peter Seamus O'Toole (/ oʊ ˈ t uː l /; 2 August 1932 – 14 December 2013) was an English stage and film actor. He attended RADA (the Royal Academy of Dramatic Art) and began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company .
- 1954–2012
- 14 December 2013 (aged 81), St John's Wood, London, England
Peter O'Toole. Actor: Lawrence of Arabia. A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker.
- Actor, Producer, Director
- August 2, 1932
- 1 min
- December 14, 2013
Peter Seamus O'Toole ( Leeds, 2 de agosto de 1932– Londres, 14 de diciembre de 2013), 1 2 conocido como Peter O'Toole, fue un actor británico, célebre sobre todo a partir de su interpretación como protagonista en la película Lawrence de Arabia (1962). Biografía.
- Peter Seamus O'Toole
Mini Bio. A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper ...
- August 2, 1932
- December 14, 2013
Peter O'Toole estudió en la Real Academia de Arte Dramático de Londres. A los diecisiete años debutó como aficionado en el teatro y en 1955 empezó a actuar profesionalmente con la compañía del Old Vic de Bristol, donde interpretó a Jimmy Porter en Mirando hacia atrás con ira, de John Osborne (1957). Peter O'Toole.
29 de mar. de 2024 · Peter O’Toole, English-born stage and film actor whose range extended from classical drama to contemporary farce. He was best known for the title role in Lawrence of Arabia. His other notable movies included Becket, The Lion in Winter, The Ruling Class, My Favorite Year, and The Last Emperor.
Screenwriter Robert Bolt circles the mystery of Lawrence without ever diving into his center, and David Lean uses the young and beautiful O'Toole as a living sculptural object, fetishizing his blue eyes, blond hair and pale skin (bronzed by the sun as the tale goes on).
