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  1. The Pre-Raphaelite Brotherhood (PRB, later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood ...

  2. 1. Dante Gabriel Rossetti. Gabriel Dante Rossetti (12 May 1828 – 9 April 1882) was a member of the Rossetti family and an English poet, illustrator, painter, and translator. With William Holman Hunt and John Everett Millais, he created the Pre-Raphaelite Brotherhood in 1848.

  3. 4 de abr. de 2024 · Pre-Raphaelite Brotherhood, group of young British painters who banded together in 1848 in reaction against what they conceived to be the unimaginative and artificial historical painting of the Royal Academy and who purportedly sought to express a new moral seriousness and sincerity in their works.

    • The Editors of Encyclopaedia Britannica
  4. Several Pre-Raphaelite artists were prolific poets and writers. Dante Gabriel Rossetti frequently wrote sonnets to accompany his paintings, which he had inscribed on the frame, including the famous Lady Lilith (1868).

  5. www.tate.org.uk › art › art-termsPre-Raphaelite | Tate

    Art Term. Pre-Raphaelite. The Pre-Raphaelites were a secret society of young artists (and one writer), founded in London in 1848. They were opposed to the Royal Academy’s promotion of the ideal as exemplified in the work of Raphael. Sir John Everett Millais, Bt. Ophelia (1851–2) Tate.

  6. In 1848, as revolutions swept continental Europe and an uprising for social reform known as Chartism unsettled Britain, seven rebellious young artists in London formed a secret society with the aim of creating a new British art. They called themselves the Pre-Raphaelite Brotherhood, and the name, whose precise origin is contested, nevertheless ...

  7. The Pre-Raphaelite Brotherhood was a secret society of young artists founded in London in 1848. They were opposed to the Royal Academy’s promotion of the ideal as found in the work of...