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  1. Joshua Reynolds, Royal Academy, Royal Society, FRSA (16 de julio de 1723–23 de febrero de 1792), [1] fue uno de los más importantes e influyentes pintores ingleses del siglo XVIII, especialista en retratos y promotor del "Gran estilo" en pintura que dependía de la idealización de lo imperfecto. [2]

    • 16 de julio de 1723, Plympton (Reino Unido)
  2. Sir Joshua Reynolds (Plympton, 16 luglio 1723 – Londra, 23 febbraio 1792) è stato un pittore inglese, uno dei più importanti e influenti pittori del XVIII secolo in Gran Bretagna e uno dei fondatori della Royal Academy of Arts.

  3. Joshua Reynolds, Royal Academy, Royal Society, FRSA (16 de julio de 1723 – 23 de febrero de 1792), fue uno de los más importantes e influyentes pintores ingleses del siglo XVIII, especialista en retratos y promotor del "Gran estilo" en pintura que dependía de la idealización de lo imperfecto.

    • British
    • Plympton, United Kingdom
  4. Sir Joshua Reynolds PRA FRS FRSA (16 July 1723 – 23 February 1792) was an English painter who specialised in portraits. John Russell said he was one of the major European painters of the 18th century. [1] . He promoted the "Grand Style" in painting, which depended on idealisation of the imperfect.

  5. Hace 5 días · Sir Joshua Reynolds. 1723 - 1792. Reynolds was the leading English portraitist of the 18th century. Through study of ancient and Italian Renaissance art, and of the work of Rembrandt, Rubens and Van Dyck, he brought great variety and dignity to British portraiture. Reynolds was born at Plympton in Devon, the son of a headmaster and ...

  6. Sir Joshua Reynolds RA FRS FRSA (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th Century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect.

  7. Sir Joshua Reynolds (July 16, 1723–February 23, 1792) was the most important and influential of eighteenth-century English painters, specialising in portraits and promoting the 'Grand Style' in painting which depended on idealization of the imperfect. He was one of the founders and first President of the Royal Academy.