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11 de abr. de 2024 · Serpentine is honoured to present a solo exhibition of new and recent works by British Nigerian artist Yinka Shonibare (b. 1962, London, UK). Titled Suspended States, the exhibition will be presented at Serpentine South from 12 April to 1 September 2024. It will coincide with the artist’s presentation at the 60th International Art Exhibition ...
7 de abr. de 2024 · 16 February – 7 April 2024. Serpentine North. Serpentine is thrilled to present Echoes of the Earth: Living Archive, an exhibition of new and recent works by internationally renowned artist, technologist, and pioneer in artificial intelligence arts, Refik Anadol. The exhibition is on view at Serpentine North from 16 February to 7 April 2024.
Hace 6 días · In Silent Writings, 2009/2024, Barbara Kruger explores how we communicate and connect with global events and with each other. The piece weaves images and words in an attempt to engage issues of control, power and dominance. Kruger incorporates her own words alongside quotes from writers and philosophers including Aimé Césaire, Goethe, Thomas ...
15 de abr. de 2024 · In the church, the only thing to survive that war unscathed was an old Gothic image of the Virgin placed on a pillar. With the exception of a small chapel built on the site in 1949 by local architect Gottfried Böhm in remembrance of the devastating bombing, the ruins had stayed untouched until Peter Zumthor’s Kolumba Museum was put up in 2007.
8 de abr. de 2024 · Artikel in: Peter Zumthor, Häuser 1979-1997 | Works 1979-1997 P. Zumthor, H. Binet ... (Bonnefantenmuseum) und in London 1992 (Serpentine Gallery) ...
16 de abr. de 2024 · Princess Diana was a style icon, and no outfit got as much buzz as her " revenge dress ." On June 29, 1994, Princess Diana stepped out for a gala at the Serpentine Gallery in London wearing a ...
10 de abr. de 2024 · Materiality and Light. Peter Zumthor’s work is a dialogue between the essence of material and the ethereality of light. His architecture speaks a language where each material—be it concrete, wood, or stone—tells its own story, while light acts as the narrative thread that weaves these tales into a cohesive whole.
