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5 de abr. de 2024 · Sidney Lumet (born June 25, 1924, Philadelphia, Pennsylvania, U.S.—died April 9, 2011, New York, New York) was an American film director who was noted for his psychological dramas, which typically featured characters wrestling with moral or emotional conflicts involving betrayal, corruption, or disillusionment.
Sidney Lumet (1924 - 2011) fue un director y personaje de Estados Unidos conocido por Doce hombres sin piedad, Antes que el diablo sepa que has muerto, Tarde de perros, Serpico, Asesinato en el Orient Express, Network, un mundo implacable, Veredicto final, Declaradme culpable, El abogado del diablo y Punto límite
7 de dic. de 2016 · In 1935, 11-year-old Lumet made his Broadway debut in a play called Dead End, written by Pulitzer Prize-winning playwright Sidney Kingsley. Lumet quickly became a child star, appearing in at least ...
Sidney Lumet was born June 24, 1924, in Philadelphia, the son of Polish immigrants who were actors in the Yiddish theater. The boy was onstage from his earliest years. After service in World War Two, he began to direct in small New York companies and then moved in on the ground floor in the new medium of television.
VISTA EN 360º. Así se hacen las películas Pasta blanda – Print, 1 enero 1900. por Sidney Lumet (Autor), José María Aresté Sancho (Traductor) 4.6 82 calificaciones. Ver todos los formatos y ediciones. Se ha producido un problema al cargar esta página. Inténtelo de nuevo. Hasta 24 meses de $17.19 con costo de financiamiento Ver más ...
Birthday: Jun 25, 1924. Birthplace: Philadelphia, Pennsylvania, USA. A consummate workaholic who helmed vibrant films well into his eighties, Sidney Lumet laid claim to being one of the most ...
15 de ago. de 2023 · Sidney Lumet’s “The Verdict” is the best courtroom drama ever. It is also one of those rare features that doesn’t wear down with repeated viewings. That would seem odd for an entry that’s best remembered for the shock of its resolution, which should only be able to surprise the audience the first time around.
