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  1. Beatrice (Stillman) Beatrice es una obra creada en 1886 por Marie Spartali Stillman, pintora cercana al círculo de los prerrafaelitas. Está realizada con una técnica mixta de acuarela y gouache, que ya era practicada por otros pintores relacionados con la Hermandad, 1 como Edward Burne-Jones. Se trata del retrato de un personaje de la Divina ...

  2. Marie Spartali Stillman ( Londen, 10 maart 1844 – aldaar, 6 maart 1927) was een Engelse kunstschilderes en model, werkend in de stijl van de prerafaëlieten. Als model trad zij op voor Dante Gabriel Rossetti, Spencer Stanhope, Edward Burne-Jones en James McNeill Whistler . Marie Spartali was de dochter van de koopman en Grieks consul in ...

  3. Marie Spartali Stillman (ur. 10 marca 1844 w Londynie, zm. 6 marca 1927 tamże) – angielska malarka pochodzenia greckiego, muza Bractwa Prerafaelitów.

  4. Marie Spartali Stillman was both a gifted artist and a major Pre-Raphaelite muse, who features as a model in many of the movement's most memorable works (fig. 1). Stillman was the youngest daughter of wealthy Greek parents. Her father, Michael Spartali, had made his money as a cotton merchant and served as Greek consul-general in London between ...

  5. Marie Spartali Stillman regularly exhibited both at the Royal Academy of Arts and at the Grosvenor Gallery in London, a radical alternative to the Academy founded in 1877. Her works also were shown at important American venues in Washington, DC; Philadelphia; and Boston. Stillman’s most important artistic influences were her teacher, Ford ...

  6. 6 de nov. de 2020 · The Enchanted Garden. Marie Spartali Stillman (1844–1927), The Enchanted Garden of Messer Ansaldo (1889), watercolour and gouache on paper mounted on panel, 72.4 × 102.9 cm, Private collection. Image courtesy of Julian Hartnoll, Pre‑Raphaelite Inc., via Wikimedia Commons. In 1886, Marie’s husband William Stillman was sent out to Italy ...

  7. Marie Spartali Stillman (1844–1927) was one of a small number of professional female artists working in the second half of the 19th century. She was an important presence in the Victorian art world of her time and closely affiliated with members of the Pre-Raphaelite circle. Poetry in Beauty, the first retrospective of Spartali Stillman’s ...