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Though RKO excised over forty minutes of footage, now lost to history, and added an incongruously upbeat ending, The Magnificent Ambersons is an emotionally rich family saga and a masterful elegy for a bygone chapter of American life.
- Eugene Morgan
18 de jun. de 2023 · He added: “The original ending is just brilliant, but the studio reshot it. The scene involved two characters who have not seen each other in a number of years and are reconnecting. It was...
- Dalya Alberge
The original film is considered lost. Orson Welles adapted the story for his second feature film, The Magnificent Ambersons (1942), starring Joseph Cotten, Dolores Costello, Anne Baxter, Tim Holt, Agnes Moorehead and Ray Collins, with Welles providing the narration.
- 516
- Booth Tarkington
- 1918
- Doubleday, Page
In conversations (1969–75) with Peter Bogdanovich compiled in This Is Orson Welles, Welles confirmed that he had planned to reshoot the ending of The Magnificent Ambersons with the principal cast members who were still living: Yes, I had an outside chance to finish it again just a couple of years ago, but I couldn't swing it.
- $1.1 million: 71–72
- July 10, 1942
- Orson Welles
- No credit in film
26 de nov. de 2018 · Near the end, Welles was acting in that film by night and shooting The Magnificent Ambersons by day. Production itself was fraught. After Gregg Toland, the masterful cinematographer of Citizen Kane, proved unavailable, Welles brought in the journeyman Stanley Cortez, who had a reputation for working fast, mostly from B pictures for ...
24 de ene. de 2014 · 44. 6.4K views 9 years ago. Orson Welles's film The Magnificent Ambersons has the greatest end credits of all time. ...more.
- 1 min
- 6.5K
- Pet infestation gaming [GD]
Welles finally withdrew his participation when the original ending was cut and replaced. So, the last two scenes in the existing movie were written by someone else and it was at this point that Orson Welles disowned the film as the removal of the film’s original ending had so radically changed HIS film that he could no longer call it his.
