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6 de dic. de 2023 · The Oxbow. A bend in the river symbolizes westward expansion. by Dr. Bryan Zygmont. Thomas Cole, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm — The Oxbow, 1836, oil on canvas, 51 1/2 x 76" / 130.8 x 193 cm (The Metropolitan Museum of Art, New York City). Speakers: Dr. Beth Harris and Dr. Steven Zucker.
For The Oxbow, Cole made a pencil sketch on site and later painted this small oil sketch in his studio as he worked to establish the composition, color balance, and internal rhythm of the scene. A squiggle of paint at the lower right appears almost human—perhaps a first suggestion of the artist’s presence in the landscape, as seen in his self-portrait in the final canvas (acc. no. 08.228).
The Oxbow, Mount Holyoke, Northampton, Massachusetts, después de una tormenta, cuyo título original en inglés es View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, comúnmente conocido como The Oxbow, es una de las obras más importantes y conocidas de Thomas Cole, pintor estadounidense de origen británico, fundador de la Escuela del río Hudson.
Thomas Cole (1 February 1801 – 11 February 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter.
The Oxbow by Thomas Cole is widely known as America’s most famous landscape painting.. I mean, look at it. You can see why. Not only is it a staggering 52 x 72 inches big, but those green pastures, quiet streams, and fluffy clouds just make you want to grab a blanket, a box of Double Stuf Oreos, and some La Croix so you can go lay in this beauty and take in the sweet grassy air.
Page of View from Mount Holyoke, Northamptom, Massachusetts, after a Thunderstorm (The Oxbow) by COLE, Thomas in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900)
13 de may. de 2020 · Thomas Cole (1801-48) came from Lancashire and moved to the US with his family in 1818. As a naturalised citizen he was instrumental in founding the Hudson River School, a group of landscape painters who took the river valley and its scenes – boatmen and hunters, waterfalls and weather – as their theme, and who formed the nation’s first indigenous school of repute.
