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  1. Hace 19 horas · The horror series, which starting with “The Fall of the House of Usher” in 1960, spawned eight low-budget hits including “The Tomb of Ligeia” and “The Masque of Red Death.” They revived the careers of Boris Karloff, Vincent Price, Basil Rathbone and Peter Lorre and became classics of a kind.

  2. Hace 19 horas · Roger Corman, who directed a series of cult films including 1960's The Little Shop of Horrors, has died aged 98. His family told industry publication Variety that he died on Thursday at his home ...

  3. Hace 19 horas · Of their seven collaborations, the best are “The Tomb of Ligeia” and “The Masque of the Red Death” (both 1964). The former benefits from location shooting at Castle Acre Priory in Great Britain; the latter, by its wild, almost campy existentialist swing.

  4. Hace 19 horas · The Tomb of Ligeia (1964) For his last Poe/Price venture, Corman hired Robert Towne, today regarded as one of the industry’s finest screenwriters. “Poe was working from the unconscious mind, and the unconscious mind isn’t really aware of the outside world,” the director said.

  5. Hace 19 horas · Og han efterlod en lang række legendariske og vellavede film, inklusive mange af dem, han selv instruerede. Da Roger Corman den 9. maj udåndede, 98 år gammel, efterlod han sin hustru siden 1970, Julie Corman, og parrets fire børn. Og han efterlader en svimlende filmografi – på IMDb har han ikke færre end 493 producercredits.

  6. Hace 19 horas · È morto Roger Corman, un leggendario regista indipendente americano noto come il “Re dei B-movies”. Il regista premio Oscar e produttore di film come Il vampiro del pianeta rosso (1957), La donna vespa (1959), La piccola bottega degli orrori (196) e Il pozzo e il pendolo (1961), è morto all’età di 98 anni nella sua casa di Santa Monica.

  7. Hace 19 horas · It’s a typically compelling performance from Price who owns every scene he appears in, relishing every one of the memorable lines that Matheson affords him. Sadly, the film is rather less well served by the two bland supports – both Damon and Fahey look just a bit too “modern” for the parts and can’t compete with the sheer charisma of ...