Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Audio commentaries on all three films, featuring Stillman and cast and crew members. Outtakes, alternate scenes, and deleted scenes, with commentary. New video essay about the trilogy by film critic Farran Smith Nehme. Featurettes about the making of The Last Days of Disco and Barcelona.

  2. 19 de abr. de 2016 · A Whit Stillman Trilogy: Metropolitan, Barcelona, The Last Days of Disco (The Criterion Collection) [Blu-ray] Chloë Sevigny (Actor), Kate Beckinsale (Actor), Whit Stillman (Director) Rated: PG-13. Format: Blu-ray. 4.7 91 ratings. Amazon's Choice. -25% $5999. List Price: $79.95. FREE Returns. Blu-ray. $59.99. DVD. $56.88. Blu-ray. April 19, 2016.

    • (82)
    • Criterion
    • $38.95
    • NTSC, Subtitled, Surround Sound, Widescreen
  3. Whit Stillman. John Whitney Stillman (born January 25, 1952) is an American writer-director and actor known for his 1990 film Metropolitan, which earned him a nomination for the Academy Award for Best Original Screenplay.

    • 1973–present
  4. Ver más opiniones. A Whit Stillman Trilogy: Metropolitan, Barcelona, The Last Days of Disco (The Criterion Collection) [Blu-ray] : Kate Beckinsale, Taylor Nichols, Mira Sorvino, Whit Stillman: Amazon.com.mx: Películas y Series de TV.

    • (82)
    • Blu-ray
  5. 2 de may. de 2016 · "We Were Exploited, But They Were Nice About it": A Whit Stillman Trilogy Arrives on Blu-ray. Peter Sobczynski May 02, 2016. Tweet. After the arrival of his first feature “ Metropolitan ” (1990), those enamored by writer/director Whit Stillmans droll comedy of manners compared him to no less than Woody Allen.

  6. Talking with Whit Stillman about His Places of the Past The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.

  7. Over the course of the 1990s, writer-director Whit Stillman made a trilogy of films about the acid tongues and broken hearts of some haplessly erudite young Americans in New York and abroad. Set in the eighties, these films would trace the arc of that decade, led by Stillman’s Oscar-nominated debut, Metropolitan