Who’s Afraid of Virginia Woolf: analysis Who’s Afraid of Virginia Woolf is often analysed as a response to a specific moment in US history: in 1962, when the play premiered, John F. Kennedy was President, and the United States had a confidence in itself as the leading world superpower.
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3 de ago. de 2020 · Albee’s breakthrough drama, Who’s Afraid of Virginia Woolf?, synthesizes both naturalistic and absurdist theatrical elements such that the realistic American family drama, whose precedents include A Streetcar Named Desire, Death of a Salesman, and Long Day’s Journey into Night, is infused with the methods and existential themes ...
Who's Afraid of Virginia Woolf? is a play by Edward Albee that was first performed in 1962. Summary Read our full plot summary and analysis of Who's Afraid of Virginia Woolf? , scene by scene break-downs, and more.
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The play begins with the middle-aged couple, George and Martha, returning from a faculty party arranged by George’s father-in-law (and employer), the president of the small New England college. George and Martha are intoxicated and it’s two o’clock in the morning. But that won’t stop them from entertaining two guests, the college’s new biology prof...
George and Martha not only delight and disgust themselves by attacking each other. They also take a cynical pleasure in breaking down the naïve married couple. George views Nick as a threat to his job, even though Nick teaches biology – not history. Pretending to be a friendly drinking buddy, George listens as Nick confesses that he and his wife be...
In Act One, George warns Martha not to “bring up the kid.” Martha scoffs at his warning, and ultimately the topic of their son comes up into conversation. This upsets and annoys George. Martha hints that George is upset because he is not certain that the child is his. George confidently denies this, stating that if he is certain of anything, he is ...
After George and Martha are left to themselves, a quiet, calm moment befalls the main characters. In Albee’s stage directions, he instructs that the final scene is played “very softly, very slowly.” Martha reflectively asks if George had to extinguish the dream of their son. George believes it was time, and that now the marriage will be better with...
- Wade Bradford
Who's Afraid of Virginia Woolf? is realistic in form and structure: it is located in a recognizable setting, the plot unfolds in linear progression, and the characters are fully-realized individuals.
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