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Butterfield's buildings include: 1842 Highbury Congregational Chapel (Cotham Church), Bristol; 1843 St John's Church, Jedburgh: lychgate; 1845 St Saviour's Church and vicarage, Coalpit Heath, south Gloucestershire, 1845 (Butterfield's first Anglican work) St Augustine's College, Canterbury, Kent, 1845
- Architect
- British
- Royal Gold Medal (1884)
William Butterfield was a British architect who was prominent in the Gothic Revival in England. Sometimes called the Oxford movement’s most original architect, Butterfield introduced an architectural realism that included a clear expression of materials in colourful contrasts of textures and.
- The Editors of Encyclopaedia Britannica
Butterfield, William (1814–1900), architect, the son of William Butterfield, by his wife Ann, daughter of Robert Stevens, was born in the parish of St. Clement Danes, London, on 7 Sept. 1814. His first architectural education was received in an office at Worcester, where a sympathetic head clerk of archæological tastes encouraged him in ...
His non-religious buildings included the Royal Hampshire Hospital and buildings for Keble College, Oxford and Rugby School. A feature of Butterfield's architectural style was his bold use of polychrome brickwork and stone, and the extensive amount of marquetry work in the interior of his buildings.
Butterfield was appointed architect, and designed the church, clergy-house, and school of All Saints, Margaret Street, London (1849–59). The buildings were urban in character, of polychrome brickwork, and considerably influenced by Continental Gothic precedents.
11 de jun. de 2018 · Butterfield was appointed architect, and designed the church, clergy-house, and school of All Saints, Margaret Street, London (1849–59). The buildings were urban in character, of polychrome brickwork, and considerably influenced by Continental Gothic precedents.
His non-religious buildings included the Royal Hampshire Hospital and buildings for Keble College, Oxford and Rugby School. A feature of Butterfield's architectural style was his bold use of polychrome brickwork and stone, and the extensive amount of marquetry work in the interior of his buildings.
