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  1. Max Carl Friedrich Beckmann was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity, an outgrowth of Expressionism that opposed its introverted emotionalism.

  2. マックス・ベックマン ( Max Beckmann, 1884年 2月12日 - 1950年 12月28日 )は、 ドイツ 、 ライプツィヒ 生まれの 画家 。. 表現主義 、 新即物主義 の画家。. 第一次世界大戦 に衛生兵として従軍。. その体験から、アカデミックな描写によるスタイルを、歪められ ...

  3. 25 de nov. de 2022 · This large-scale monographic exhibition is initially dedicated to the theme of travel, which was of existential importance to Max Beckmann (1884–1950) in both a biographical and symbolic sense. His life was marked by tragic experiences of war and uprooting, transit and exile, but also by glamorous vacations, the urge for freedom and the longing to travel.

  4. nl.wikipedia.org › wiki › Max_BeckmannMax Beckmann - Wikipedia

    Max Carl Friedrich Beckmann (Leipzig, 12 februari 1884 - New York, 27 december 1950) was een Duits expressionistisch kunstschilder. Biografie [ bewerken | brontekst bewerken ] In 1900 begon hij zijn schildersopleiding in Weimar .

  5. Biographie. Max Beckmann naît à Leipzig en 1884 1, 2. Il connaîtra personnellement les grandes tragédies qui, dans cette première moitié du XXe siècle, bouleverseront l’Europe et le monde. Après sa formation à l'école des beaux-arts de Weimar, où il rencontre sa première épouse Minna Tube, Max Beckmann s'installe en 1907 à ...

  6. Max Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (Neue Sachlichkeit), an outgrowth of Expressionism that opposed its ...

  7. Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity ( Neue Sachlichkeit ), an outgrowth of Expressionism ...

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