Resultado de búsqueda
Taddea Malaspina (1505 - 1559) was an Italian noblewoman of the 16th century. A scion of the Massa branch of the ancient Malaspina family, she was the mistress of Alessandro de' Medici, Duke of Florence, from the early 1530s to about 1537 and was likely the mother of at least two of his children, Giulio and Giulia de' Medici. Giulio ...
Taddea Malaspina ( 1505 – 1559 [1]) è stata una nobildonna italiana. Fu l'amante di Alessandro de' Medici, duca di Firenze, dal 1530 al 1537 circa e fu probabilmente la madre di almeno due dei suoi figli, Giulio e Giulia [2] (1535-1588).
Taddea Malaspina fue una noble italiana del siglo XIII, nacida en la región de Toscana. Su familia pertenecía a la nobleza genovesa y tenía importantes tierras en la región de Lunigiana, en el norte de Italia.
Giulia Romola di Alessandro de' Medici (c. 1535 – c. 1588) was the illegitimate, possibly multiracial, daughter of Alessandro de' Medici, Duke of Florence and his mistress Taddea Malaspina. Following her father's assassination, she was reared at the court of Cosimo I de' Medici and married advantageously twice.
Giulio de' Medici (c. 1533–1598) was the illegitimate son of Alessandro de' Medici, the Duke of Florence, and probably of Taddea Malaspina. Aged about four at the time of his father's assassination, he was passed over as a choice for the succession in favour of Cosimo I de' Medici, the first of the "junior" branch of the Medici to ...
Biografía. Fue hijo ilegítimo de Alejandro de Médicis, duque de Florencia y de su amante Taddea Malespina. 1 No está claro la fecha exacta de su nacimiento, pero se remonta alrededor de 1533. Su padre murió cuando apenas era un niño y fue puesto bajo los cuidados de Alejandro Vitelli y del cardenal Cybo.
the possibility that the woman being drawn represents Taddea gazing back into the eyes of her lover. The woman drawn by Alessandro, care-fully and purposefully termed by Vasari “the head of a woman”—not, that is, “Lady Taddea,” whose physiognomy he would have known— was fashioned in profile. The object of Alessandro’s scrutiny ...
