Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Aleksandr Nikoláyevich Ostrovski (en ruso Алекса́ндр Никола́евич Остро́вский; Moscú, 12 de abril de 1823-Schelykovo, Gobernación de Kostromá, 14 de junio de 1886), fue un dramaturgo, director de escena, crítico teatral, traductor e hispanista ruso.

    • Aleksandr Nikoláyevich Ostrovski
  2. Alexander Nikolayevich Ostrovsky (Russian: Алекса́ндр Никола́евич Остро́вский; 12 April [O.S. 31 March] 1823 – 14 June [O.S. 2 June] 1886) was a Russian playwright, generally considered the greatest representative of the Russian realistic period.

  3. Alexandr Ostrovski (Alexandr Nikolaievich Ostrovski; Moscú, 1823 - Tchelikov, 1886) Dramaturgo ruso, fundador del teatro moderno de su país. Inició estudios de Leyes en la Universidad; pero antes de haberlos terminado entró en 1845 en un tribunal de comercio, en el que estuvo hasta 1851 y en el que pudo conocer muy de cerca el mundo de los mercaderes, en el que ambientaría y del que ...

  4. The Storm (Russian: Гроза, sometimes translated as The Thunderstorm) is a drama in five acts by the 19th-century Russian playwright Aleksandr Ostrovsky. As with Ostrovsky's other plays, The Storm is a work of social criticism , which is directed particularly towards the Russian merchant class .

    • 16 November 1859
  5. 8 de abr. de 2024 · Aleksandr Nikolayevich Ostrovsky (born March 31 [April 12, New Style], 1823, Moscow, Russia—died June 2 [June 14], 1886, Shchelykovo) was a Russian dramatist who is generally considered the greatest representative of the Russian realistic period.

    • The Editors of Encyclopaedia Britannica
  6. Alexander Ostrovsky (1823–1886) was one of nineteenth-century Russia's most highly regarded playwrights, though his works are rarely performed in the West in the modern era.

  7. Without a Dowry (Russian: Бесприданница) is a play by Alexander Ostrovsky that premiered on 22 November [O.S. 10 November] 1878 at the Maly Theater and first published in the January 1879 issue of Otechestvennye Zapiski. Met with indifference by the contemporary critics, later it came to be regarded as a classic of the ...