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  1. Israel "Lee" Strasberg (17 de noviembre de 1901-17 de febrero de 1982) fue un director, actor, productor y profesor de teatro estadounidense de origen judío . Biografía. Strasberg nació en Budánov, ciudad del Imperio austrohúngaro, actualmente en la óblast de Ternópil, Ucrania, siendo el menor de tres hermanos.

  2. Lee Strasberg (born Israel Strassberg; [1] November 17, 1901 – February 17, 1982) was an American theatre director, actor and acting teacher. [2] [3] He co-founded, with theatre directors Harold Clurman and Cheryl Crawford, the Group Theatre in 1931, which was hailed as "America's first true theatrical collective". [4]

  3. Lee Strasberg. (Budanov, 1901 - Nueva York, 1982) Director teatral estadounidense de origen polaco. Continuador de las técnicas de interpretación desarrolladas en el Teatro de Arte de Moscú por el gran director ruso Konstantin Stanislavski, desarrolló en los Estados Unidos su propio método y, al frente del Actor's Studio, formó varias ...

  4. El Instituto de Teatro y Cine Lee Strasberg (en inglés: Lee Strasberg Theatre and Film Institute) es una prestigiosa escuela de actuación fundada en 1969 por el actor, director y renombrado profesor de interpretación Lee Strasberg.

  5. 10 de abr. de 2024 · Lee Strasberg (born November 17, 1901, Budzanów, Poland, Austria-Hungary [now Budanov, Ukraine]—died February 17, 1982, New York, New York, U.S.) was a theatre director, teacher, and actor, known as the chief American exponent of “method acting,” in which actors are encouraged to use their own emotional experience and memory in preparing ...

    • The Editors of Encyclopaedia Britannica
  6. 16 de ago. de 2023 · Famous Actors. Playwrights. Lee Strasberg. Theater director Lee Strasberg co-founded the Group Theatre, where he directed experimental plays, and later became artistic director of the...

  7. The Method trains actors to use their physical, mental and emotional self in the creation of a character and stresses the way in which personal experience can fire the actors imagination. It eschews clichés and pursues individual authenticity and a reality deeply grounded in the given circumstances of the script.