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  1. Paul Thomas Anderson (Studio City, California; 26 de junio de 1970) es un director, guionista y productor de cine estadounidense. Ha dirigido nueve largometrajes: Sydney (1996), Boogie Nights (1997), Magnolia (1999), Embriagado de amor (2002), There Will Be Blood (2007), The Master (2012), Puro vicio (2014), Phantom Thread (2017) y ...

    • P.T.A.
  2. Paul Thomas Anderson (born June 26, 1970), also known by his initials PTA, is an American filmmaker. His accolades include nominations for eleven Academy Awards , three Golden Globe Awards , and eight BAFTA Awards (winning one for Best Original Screenplay ).

    • 1988–present
    • Maya Rudolph (2001–present)
  3. Paul Thomas Anderson. Director: Punch-Drunk Love. Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him.

    • Director, Writer, Producer
    • June 26, 1970
    • 2 min
  4. Magnolia es una película estadounidense de 1999 escrita y dirigida por Paul Thomas Anderson 2 que cuenta la historia, aparentemente inconexa, de varios personajes a lo largo de un día normal en el Valle de San Fernando, California. 3 La película está protagonizada por un elenco que incluye a Tom Cruise, Julianne Moore, John C. Reilly, Jason ...

    • William Arnold, Mark Bridges
    • Paul Thomas Anderson
  5. Paul Thomas Anderson is an American film director, screenwriter and producer. He has directed nine feature-length films, five short films, twenty three music videos, one documentary, one television episode as a guest segment director, and one theatrical play.

  6. The Master es una película dramática estadounidense de 2012 escrita, dirigida y coproducida por Paul Thomas Anderson y protagonizada por Joaquin Phoenix, Philip Seymour Hoffman y Amy Adams.

  7. Paul Thomas Anderson. Director: Punch-Drunk Love. Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him.