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Hace 17 horas · Time takes its factual materiality from memory; without memory, Tarkovsky ( 1989, pp. 57–58) says, existence is illusory because man cannot relate to the world outside of time. This means that cinematically sculpted time is the time of spiritual memory because it continues from an inner duration and transcends the ephemerality of its immediacy.
Hace 4 días · a family at war with art. by Douglas Messerli . Aleksandr Misharin and Andrei Tarkovsky (screenplay), Andrei Tarkovsky (director) Zerkalo (The Mirror) / 1975 I believe I first watched Andrei Tarkovsky’s film, The Mirror in 1991, writing a bit of nonsense about it long before I had begun the annual cultural memoirs of the My Year
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Hace 4 días · Andrei Tarkovsky’s penultimate film, 1983’s gorgeously haunting Nostalghia, also marked new territory for the director. His first film made outside the USSR, the Cannes Best Director winner (a prize he shared with Robert Bresson for L’Argent ), was also a unique collaboration with writer Tonino Guerra, frequent collaborator of Michelangelo Antonioni, Federico Fellini, and Francesco Rosi.
Hace 1 día · Immerse yourself in the haunting beauty of Stalker (1979), a Soviet sci-fi masterpiece veiled in mystery. This isn't your typical alien encounter flick. The "Zone," a forbidden territory rumored to grant wishes, beckons a weary guide, Stalker, and two strangers on a perilous journey. As they navigate desolate landscapes and confront their ...
