Resultado de búsqueda
Lord Arthur Saville's Crime (Hungarian: Lidércnyomás) is a 1920 Hungarian silent crime film directed by Pál Fejös and starring Ödön Bárdi, Lajos Gellért and Margit Lux. It was also released as both Mark of the Phantom and Lidercnyomas .
Lord Arthur Savile's Crime was turned into a 1920 Hungarian film directed by Pál Fejös and a 1922 French film directed by René Hervil. It is also the basis of one of the three stories in Julien Duvivier's Flesh and Fantasy (1943) and became a BBC Radio 4 drama, starring Rupert Penry-Jones, in 2006.
Lord Arthur starts to despair of ever successfully committing a murder, and so he resigns himself to the fact that he can never marry Sybil. However, that night he encounters none other than Mr Podgers, the palm-reader, and pushes the man into the Thames, where he drowns. He has finally committed his murder and is now clear to marry.
La primera adaptación cinematográfica fue en 1920, dirigida por Maurice Elvey y protagonizada por H. Agar Lyons como Lord Arthur Savile. Desde entonces, ha habido varias adaptaciones, incluyendo una versión televisiva en 1979 dirigida por Rodney Bennett y protagonizada por Alec Guinness como Lord Arthur Savile.
El crimen de lord Arthur Saville; de Oscar Wilde: Género: Cuento y novela: Idioma: Inglés: Título original: Lord Arthur Savile's Crime: Texto original: Lord Arthur Savile's Crime en Wikisource: Publicado en: El crimen de lord Arthur Saville y otras historias: Fecha de publicación: 1887: Texto en español: El crimen de lord Arthur ...
Lord Arthur Saville's Crime is a 1920 Hungarian silent crime film directed by Pál Fejös and starring Ödön Bárdi, Lajos Gellért and Margit Lux. It was also released as both Mark of the Phantom and Lidercnyomas. The film was based on the 1891 short story Lord Arthur Savile's Crime by Oscar Wilde.
24 de sept. de 2022 · The story is a humorous critique of the Victorian notion of duty and the idea of the heroic quest as it juxtaposes Lord Arthur’s determination to clear the way for his marriage by committing murder with the reader’s knowledge that murder cannot masquerade as duty.
